Oproep 3: Digitaal werken in de kunsten


Naar welke uitdagingen voor digitaal werken in de kunsten gaat je interesse uit?

ACCESS SERVER addresses the unequal inclusion of disabled people in art institutions. There is unequal labor resting on disabled people to make access requests for closed captions, sign-language and scent-free spaces. Our tool collectivises this labor through a digital email server that compiles access requests and puts pressure on institutions to transform their relationships to access.

Waarom wil je graag deelnemen aan deze oproep?

ACCESS SERVER is a digital arts tool that disrupts systematically ableist institutions. ACCESS SERVER is a website and email server that provides email templates and 20€ per email to support disabled people’s access requests, acknowledging the labor of asking spaces and institutions for access in an ableist world. As trans*crip hackers we will develop a website with texts and resources on accessibility, organize a fund and code an email server. By collectivizing these 'individual' emails we hope to transform institutions' relationship to access. The project builds an interface between people with disabilities who email for access to events and organizers who need information on how to reduce barriers and create access. All emails routed through the server will link to the website in the footer, and automatically cite previous access requests to the same institution. This creates care, engagement, community and networking, shared knowledge about access, and hopefully fewer barriers.

Hoe kan jouw werk met deze uitdagingen een impact hebben op de fairness en duurzaamheid van de kunsten van Vlaanderen en Brussel?

What does it mean to build collective digital presents: sustainable or fair for whom? Sustainability is informed for us by the Principles of Disability Justice, moving away from urgency and into a slow, transformative wave of justice. By creating the ACCESS SERVER, arts institutions in Flanders and Brussels will have a wave of emails from disabled people who will have more energy resources (because they will be paid for this labor), and more sense that they are not the ‘only one asking’ (because of the compounding of requests generated by the server) to send their access requests. This email chain, and the capacity for more persistent requests will disrupt ableism as usual and require arts institutions to consider their relationship to disability access. We believe that this will result in more accessible events and spaces being created. The arts institutions in Flanders and Brussels will directly and persistently be asked to work in service of and with disabled people in these contexts and beyond.


MELT (Loren Britton & Isabel Paehr) mail@meltionary.com