Oproep 3: Digitaal werken in de kunsten
As a disabled, immigrant woman both my professional & personal interests align in presenting challenges to working digital in the form of ableist narratives & ecological racism. By virtue of living with chronic diseases I regularly face barriers to working digitally as a differently abled & woman of colour. This is a fundamental issue that needed to be overcome yesterday & I hope we can together.
Because I believe if we want to see change we must be willing to make the change happen & the best people for the job will always be the ones who face the said challenges. As a disabled freelancer much of my work is impeded because of my legal status or my unique way of working as a differently-abled person. In 2014 I was told by my doctor to stop working fulltime & they would help me get benefits however I don't qualify for any, as an immigrant. This made me learn new ways of working & surviving financially and I see lots of digital makers just like me everyday struggling because the system isn't prepared to support an individual thrive even if digital technologies make it possible for us to work in a myriad of ways. Over two-thirds of world's population has 5+ chronic diseases which means there are likely more people with unique needs than there are "normal" people. I want to create digital systems & pave the way for all of us to be able to leave our marks in the arts and that's what I see participating in this call can bring.
My work has taken me to conduct research for The British Council: Creative Economy on creative entrepreneurship across Europe & Asia along with the role I held at Goethe-Institut as Academic-CoDirector for MOOC training museum & arts professional in the digital age has opened my eyes into the world of artistic credibility especially in Europe has a linear approach. If we value diversity then we must be open to growing in nuanced multi-faceted spheres & that's how incorporating anti-ableism & antiracist principles will propel us forwards into building a truly equitable, fair & most importantly sustainable future for the digital artists. Especially in Flanders & Brussels, we need a renewed understanding of how environmentalism CAN go hand-in-hand with antiracism & that disability doesn't have to be seen as an added burden rather an added solution to many constrains of working digitally. We need to learn to navigate away from nationalism into being diverse in our fair+equitable solutions to harness the potential of creative digital arts.
Bhavani Esapathi / email@example.com
RADICALE 1924 is a newly formed art program in Saint-Cirq-Lapopie, once the summer home of Elisa and André Breton. Sharing intentions with surrealism, we aim to develop digital art projects that address the mechanisms of control enhanced by the pandemic. We are looking to non-productive strategies of resistance as a form to subvert the usual flow of digital content.
Our project seeks to focus on the untapped potential inherent in digital curatorial practices. By defining curatorship as the practice of artistically arranging the space of an exhibition, this project aims to explore the potential of tools and platforms, such as Unity Engine, to produce radically alternative online spatialities that transcend the constraints of the physical space.